Psychoharmonics represents an initial attempt to systematize a developmental method and integrated theoretical paradigm in order to account for a complex series of experiential investigations and insights into the harmonic or musical operation of consciousness, imagination, and creative will. Though in its early stages as a discipline, it offers a methodology to develop and explore the creative and causative powers inherent in the musical mind. Rather than focusing on the training of physical aptitudes as the basis for musical engagement, it treats consciousness itself as a musical instrument which focalizes through the imagination to create substantive musical and existential experiences. Psychoharmonics concerns itself with understanding relationships that exist within the matrix of intentional, cognitive, and harmonic states, and effect of those configurations in reality across multiple domains of analysis.
